Archive for the Hayes Carll Category

Weekend YouTube: Inbox Videos Pt. 2

Posted in Hayes Carll, The Bridge, Those Darlins on February 12, 2011 by AmericanaPulse

The following clips are all videos that have popped up in my email inbox in the last week or so.

We start with what the promo email called a “revealing” video from Those Darlins’ upcoming CD Screws Get Loose.

Hayes Carll’s new album, KMAG YOYO, comes out on Tuesday (It’s pretty darn good, by the way).  He talks about the album in this clip.

Finally, a video from The Bridge off their new record National Bohemian.  The album is produced by Steve Berlin from Los Lobos.

2010 Americana Music Award Nominees: Best New/Emerging Artist

Posted in Americana Music Awards 2010, Corb Lund, Hayes Carll, Joe Pug, Ryan Bingham, Sarah Jarosz on September 3, 2010 by AmericanaPulse

Today, we take a look the nominees for what I consider to be the most confusing category… Best New/Emerging Artist. Last year’s award was won by Justin Townes Earle in his second year of being nominated (New Artist nominee two years in a row?). One of this year’s nominees actually won Best Song last year, a year in which he was NOT nominated for New/Emerging Artist.

Even though the nominating criteria seems to be a bit nebulous, the assembled nominees are all worthy of some sort of recognition.

Sarah Jarosz burst onto the scene last year as an 18-year-old acoustic wunderkind with her debut album Song Up In Her Head. At the time of it’s release, Jarosz had just graduated from high school. Still… artists such as Chris Thile, Tim O’Brien, Darrell Scott, Jerry Douglas, and others thought enough of her to appear in guest roles on the album. Most of the songs are Jarosz originals that merge traditional styles with a modern sensibility. Well chosen covers of Tom Waits (“Come On Up to the House”) and The Decemberists (“Shankhill Butchers”) show the diversity of influences that go into making a child prodigy.

Sarah Jarosz: Come On Up to the House (Buy Album)

To say Ryan Bingham emerged in the past year is a bit of an understatement. In 2009, Bingham released his second studio album Roadhouse Sun. It was another fine mix of rustic Texas roots rock from the former rodeo rider and was well received in Americana Circles. Bingham really busted out this year, however, due to his work on the soundtrack for the movie Crazy Heart. His song, “The Weary Kind,” earned him an Oscar and a Golden Globe for Best Original Song. He may now have the highest profile of any Americana artist in recent history. Now, in addition to this nomination, he’s nominated for Song of the Year and Artist of the Year at the AMA’s. I wouldn’t be surprised if he swept all three. This track is from Roadhouse Sun.

Ryan Bingham: Dylan’s Hard Rain (Buy Album)

This one is the real puzzler. Not because Hayes Carll isn’t a great artist. He is. It’s more because Carll is hardly what I would consider a New or Emerging artist. He released his third album in 2008, has had two albums reach #1 on the Americana Airplay Chart, and won Song of the Year at last year’s AMA’s for “She Left Me For Jesus.” Carll is another in a long line of Texas storytellers and is one of my favorite artists working today. I just don’t see how he can be a nominee in this category this year. Hayes Carll emerged a long time ago.

Hayes Carll: Girl Downtown (Buy Album)

I’m not a songwriter. I can’t attest to this myself. But I imagine Joe Pug to be the kind of songwriter that makes other songwriters (even the really good ones) jealous. Pug’s full length debut, Messenger, is one of those albums that really jumped out and grabbed me by the throat this past year. In my concert review of Pug’s performance at the Bijou Theatre in May, I compared him to an early Bob Dylan… an artist whose lyrics are so strong, he doesn’t need to rely on musical wizardry to draw the ear. His understated production and idiosyncratic voice really help Joe Pug stand out.

Joe Pug: Messenger (Buy Album)

Of the five nominees in this category, Corb Lund has probably been at this the longest. Lund was playing in punk bands in his native Alberta, Canada in the late 1980’s before Sarah Jarosz was even born. His 2009 album Losin’ Lately Gambler is his sixth solo recording and his first with U.S. based New West Records. With it, the five-time winner of the Canadian Country Music Association’s Roots Artist of the Year Award (He’s also a Juno Award Winner) is starting to make some noise here in the states. It’s about time we paid attention.

There isn’t much need for analysis here. Bingham is the likely run-away winner. Nobody… new artist or not… has had a higher profile than him in the past year. It’s not even close. If I was just picking a favorite, it would be Joe Pug. He’s probably a long shot at best.
My prediction: Ryan Bingham
My vote (If I had one): Joe Pug

Random Weekend Post: Holiday YouTube

Posted in Bing Crosby, Dar Williams, David Bowie, Hayes Carll, Johnny Cash, June Carter Cash on December 25, 2009 by AmericanaPulse

This post usually comes on a Saturday, but I wanted to go ahead and get this out today. I hope everyone has a happy holiday season.

Top 10 Americana Albums of the Decade: Honorable Mention

Posted in Hayes Carll, Loretta Lynn, Patty Griffin, Ryan Adams, The Avett Brothers, Top 10 Americana Albums: 2000-2009 on December 5, 2009 by AmericanaPulse

We’ve almost made it all the way to the number one spot on the list of my favorite albums of the past decade. Before we get to that #1 spot, however, I’d like to quickly run through a few albums that just as easily could (should?) have been included on the list instead. Here are five “Honorable Mention” albums listed alphabetically by artist.

First up is Ryan Adams’ 2001 release Gold. It’s very likely that this album would be on the final list if not for the fact that it was mislabeled on my iTunes, and I skipped over it when I was making my preliminary list. By the time I discovered my mistake, the final order was set, and I couldn’t really justify removing any of the other albums to make room for this one.

Still, this is one damn fine album, and one of the first “Americana” albums I was ever given. Lost Highway sent roughly a dozen copies to our station, and our music director loved the album so much he made sure that all the student workers got a copy. I remember it taking me several listens to warm up to the album as a whole, but I was instantly grabbed by tracks like “Firecracker” and “When the Stars Go Blue.” I’m glad I stuck with it.

Ryan Adams: Firecracker (Buy Album)

Next is the Avett Brothers’ 2004 effort Mignonette. The Avett Brothers are another one of those artists I fell in love with at the 2004 Americana Music Association Conference. They played the conference opening party on Thursday night at The Mercy Lounge, and I made a special point to see them again later that week at The Station Inn as well. I had never seen anything quite like them before with their string band sound and punk rock ethos.

I was completely entranced by their live show and found much to love on this album as well. Where the show drew me in with pure energy, the album showed that the band could deftly create those quieter moments as well. This album was the perfect mixture of the bombastic (“Hard Worker,” “Nothing Short of Thankful”) and the sublime (“Swept Away,” “SSS”). This song has a decent dose of both flavors.

Avett Brothers: Please Pardon Yourself (Buy Album)

If I continued to rank things beyond #10, this one might actually be #11. The 2005 release Little Rock was actually the sophomore effort for Hayes, but this is the one that put the Houston born songwriter on the map. It’s full of the same sort of rough edged tunes that have become the calling card of this road worn artist. You can actually feel the road beneath Hayes’ wheels on tunes like “Wish I Hadn’t Stayed So Long,” “Sit in with the Band” and the title track.

Little Rock also holds the distinction of being the first independent release to make it to the number one spot on the Americana Album Airplay chart. Hayes is still one of only two artists (Band of Heathens) to accomplish that feat. We’ve played this album so much at WDVX that it will no longer load in our CD players.

Hayes Carll: Down the Road Tonight (Buy Album)

If I had made a list of favorite artists of the decade, there is no doubt that Patty Griffin would be at or near the top. Her body of work is incredibly strong, and I don’t think there is a finer vocalist working in the business today. What she doesn’t have, however, is that one album that grabs hold of me and keeps me enthralled from start to finish. Her albums in this decade are a little more serene overall than the two she put out in the 1990’s.

All of them except for her unreleased gem Silver Bell from 2000. This album brings the fire on songs like the punkish title track, the churning “Sorry & Sad,” and the rollicking “Boston.” Of course, the quieter moments are here as well in early versions of “Making Pies” and “Top of the World.” There’s also a great, country duet with Emmylou Harris on “Truth #2.” Patty’s label refused to release the album because it wasn’t radio friendly enough. Idiots.

Patty Griffin: Boston (You can’t buy this album, but Patty has tons of other great stuff out there)

The most surprising album of the decade may have been Loretta Lynn’s 2004 release Van Lear Rose. Loretta had been largely absent from the music world for most of the 1990’s and had all but disappeard from the public consciousness. Like many of her contemporaries, she had been rendered mostly irrelevant by the changing aesthetic of popular country radio. That all changed with this album when Loretta teamed with producer Jack White of The White Stripes to blend her classic country sound with his modern rock production.

There is also a certain geographical element that speaks to me on this album. I grew up in the same rural Eastern Kentucky county where Loretta was raised. I spent a good part of my childhood in Van Lear, KY… my babysitter lived there. The song I’m featuring here may be about the West Coast, but I’m always transported back home when I listen to this album.

Loretta Lynn: Portland, Oregon (Buy Album)

Random Weekend Post: Last Year’s Song of the Year… "She Left Me for Jesus" by Hayes Carll

Posted in Hayes Carll on August 29, 2009 by AmericanaPulse
Yesterday, I gave you my thoughts on the songs nominated for “Song of the Year” at this year’s Americana Music Awards and Honors. Today, I give you last year’s champion… “She Left Me for Jesus” by Hayes Carll.

Americana Music Awards: Nominees Super Post

Posted in Alison Krauss, Americana Music Awards, Drive-By Truckers, Hayes Carll, James McMurtry, Jim Lauderdale, Kane Welch Kaplan, Levon Helm, Robert Plant, Steve Earle, The Avett Brothers on September 11, 2008 by AmericanaPulse

It’s been a while since I posted anything about the upcoming Americana Honors and Awards Show. Since it’s coming up next week, I thought I’d better get back on the ball. You can find my previous posts on the Awards here. A full list of this year’s nominees can be found here (scroll down).

Last month, I started this whole series on the awards nominees by listing the five songs nominated for Song of the Year. Four of the five nominated songs come from albums nominated for Album of the Year. Since I wrote fairly extensively about the artists in that post, I’m not going to write about them again. Instead, here is a list of the nominees with another track from each album.

The nominees are…

Raising Sand from Robert Plant and Alison Krauss
Just Us Kids from James McMurtry
Trouble in Mind from Hayes Carll
Dirt Farmer from Levon Helm

Robert Plant and Allison Krauss: Fortune Teller (Buy Album)
James McMurtry: Bayou Tortous (Buy Album)
Hayes Carll: Drunken Poet’s Dream (Buy Album)
Levon Helm: Feelin‘ Good (Buy Album)

Out of these four… my vote probably goes to Hayes Carll. If I were betting, however, I would place my money on Levon Helm. I think the fact that he’s making a return from throat cancer, coupled with the fact that Dirt Farmer is truly a killer album will be enough to carry him here. He’s probably the favorite for Artist of the Year as well.

Speaking of which… the nominees for Artist of the Year are…

Levon Helm
James McMurtry
Jim Lauderdale
Steve Earle

John Prine won this award a few years ago when he was making his return from cancer. Levon should take this in a walk. Competition comes from tireless performer and Americana Ambassador, Jim Lauderdale. Lauderdale released two albums during the nomination period (2007’s Bluegrass Diaries and 2008’s Honeysongs), is the long-time host of the Americana Honors and Awards Show, and recently took up hosting duties for the Tennessee Shines radio show. Earle and McMurtry will always get a few votes for their outspokenness and activism. I’ll be shocked, however if Helm doesn’t win this one.

We’ve heard from Helm and McMurtry… here’s a taste of what Earle and Lauderdale were up to over the past year.

Jim Lauderdale: Honey Suckle Honey Pie (Buy Album)
Steve Earle: Sparkle & Shine (Buy Album)

The final group I’ll look at here is Duo/Group of the Year. The nominees are…

Robert Plant and Alison Krauss
The Drive-By Truckers
Kieran Kane, Kevin Welch, & Fats Kaplan
The Avett Brothers

Judging by the fact that Plant & Krauss were also nominated for Album and Song of the Year, I’d say this award is theirs to lose. The Truckers put out another stellar album this January called Brighter Than Creation’s Dark. My favorite Trucker, Jason Isbell, left the group before the recording of this album, but the Truckers still deliver with another epic effort. Kane Welch Kaplan continues the trio’s signature sound of bluesy acoustic folk. The Avett Brothers didn’t release anything new during the nomination period, but they continue to tour relentlessly with their high energy show, pushing the limits of their sound and bringing their music to new audiences. The Avetts won this award last year, the first year the award was presented.

The Drive-By Truckers: Two Daughters & a Beautiful Wife (Buy Album)
Kane, Welch, Kaplan: That’s What I’ve Got (Buy Album)
The Avett Brothers: Tear Down the House (Buy Album)

There you go… the nominees for this year’s Americana Honors and Awards Show. The show will take place September 18th at The Ryman Auditorium in Nashville. The ceremony will be broadcast live on XM Satellite Radio’s X-Country Channel.

Americana Music Awards Nominees: Song of the Year

Posted in Alison Krauss, Americana Music Awards, Hayes Carll, James McMurtry, Levon Helm, Robert Plant, Tift Merritt on August 5, 2008 by AmericanaPulse

Above is a picture of Jim Lauderdale and Buddy Miller taken at the 2007 Americana Honors and Awards Show in Nashville. For the last few years, Jim has served as the host of the awards while Buddy has led the house band. Both gentlemen will reprise those roles again this year.

This June, the Americana Music Association announced the nominees for the Seventh Annual Americana Honors and Awards Show to be held September 18th at the Ryman Auditorium in Nashville. Between now and September, I’ll highlight most of the awards categories and honorees here on the blog. Today, we’ll start with the nominees for Americana Song of the Year.
And the nominees are…

Hayes Carll: She Left Me for Jesus (Buy Album)

Tift Merritt: Broken (Buy Album)
Robert Plant & Alison Krauss: Gone, Gone, Gone (Buy Album)
James McMurtry: Cheney’s Toy (Buy Album)
Levon Helm: Poor Old Dirt Farmer (Buy Album)

Hayes Carll – “She Left Me for Jesus” The first song on the list is also the one that generated the most controversy. Hayes Carll’s “She Left Me for Jesus” tells the common story of a man who lost his girl to another man. What makes this song different is that the narrator knows his girl’s new beau is named Jesus, and that he wears sandals and has long hair. He is not aware, however, that Jesus is really JESUS. He doesn’t even seem to know who the Biblical Jesus is. He also is not aware that his girl has not really left him for another man. She has just found a higher calling in doing the Lord’s work. Confused, our hero just doesn’t understand her decision and vows to find Jesus and have his revenge.

The humor of the song comes from the total obliviousness and ignorance of the narrator. We laugh at him the same way we laughed at Archie Bunker. We don’t laugh at the awful things he says. We find the humor in the total lack of awareness and misguided beliefs that lead him to say those things in the first place. Understandably, certain religious groups have had problems with the song (We haven’t played it at WDVX for that exact reason), but I find it to be all very tongue-in-cheek and quite hilarious.

Tift Merritt – “Broken” I wrote about Tift Merritt’s latest album Another Country recently here before her show in Knoxville. When I wrote that post, I left out the second nominee for song of the year because I knew I would get to share it with you here.

Tift Merritt’s “Broken” is an uplifting song that reminds the listener that the clouds always have silver linings.

“I wish I were a freeway
Laid out clearer than a bright day.
Run wide open down this causeway.
Like brand new.
But I’m broken.
And I don’t understand
What is broken
Falls into place once again.
And the kindness
Come and gather me in like a rainstorm
Again and again and again.”

A common theme, but given a fresh life here by Tift. She says the metaphor of “Gather me in like a rainstorm” comes from spending time on the coast of North Carolina. When the daily storms would move in toward the coast, families would gather together for comfort and safety from the storm. No matter how broken she gets, others gather her in with kindness and remind her that we’re never truly broken as long as we have a support system of friends and family to fall back on.

Robert Plant and Alison Krauss: “Gone, Gone, Gone” The third nominee comes from an unlikely combination of one of the sweetest voices in bluegrass and one of the most legendary voices of Rock & Roll. Robert Plant and Alison Krauss seem as mismatched as a musical pair could be. Listen to them sing together, however, and it all somehow makes sense. The two combined to deliver one of the catchiest and best sounding songs I heard over the last year with their cover of The Everly Brothers’ “Gone, Gone, Gone.”

The sessions were produced by T-Bone Burnett (O Brother Where Art Thou?), so there is no surprise that the record sounds amazing. The surprise is in the sound itself. Plant, known for his Rock & Roll wailings, did things with his voice on this record that he had never done before and says he didn’t know he could do. He pulls back just a bit, using restraint and playing a complimentary role. He taught himself to harmonize with Krauss and the lesson paid off.

James McMurtry: “Cheney’s Toy” The next nominee is another controversial track. James McMurtry’s scathing indictment of President George W. Bush is the most politically charged song on this list, and like Hayes Carll, that controversy has hurt airplay for this track.

The controversy, however, doesn’t stem from McMurtry’s political angst. He’s mined this territory before on tracks like the brilliant “We Can’t Make it Here” from 2005’s Childish Things. In fact, this sort of vitriol directed toward the White House is almost expected from him these days. The controversy, rather, came when some misunderstood (misunderestimated?) the song as an attack on the American Soldier instead of an attack on “W.”

“Keep smiling for the camera.
Keep waving to the crowd.
Don’t let up for an instant.
Stay the course and make your mama proud.
You’re the man.
Show ’em what you’re made of.
You’re no longer daddy’s boy.
You’re the man.
That they’re all afraid of,
But you’re only Cheney’s toy.”

By using Bush’s pet phrase of “stay the course” and referring to the subject as “daddy’s boy”… a reference to George H.W. Bush… McMurtry says he thought he made the subject of the song quite clear. One thing that is clear is that topical songs like this one seem to do well with many of the liberal leaning Americana voters.

Levon Helm: “Poor Old Dirt Farmer” Levon Helm’s Dirt Farmer is his first solo album in 25 years, and an album that almost never got made. Helm underwent surgery for throat cancer in 1998. After surviving 28 radiation treatments and a fire that destroyed over 80 percent of his barn studio in Woodstock, NY, Helm spent a few years rebuilding his studio and regaining his voice. Dirt Farmer was recorded in that rebuilt barn studio and provides a fitting showcase for Helm’s unique vocal instrument.

Like many of the songs on the album, “Poor Old Dirt Farmer” is a traditional tune like the ones Helm learned to play many years ago with his family. He didn’t learn this particular song until years later while working in Gatlinburg, TN on the set of the movie, The Dollmaker. If you get the feeling from listening to this song that Helm may know something about the life of that poor old farmer… you’re right. Helm grew up on a cotton farm in Arkansas. It was on that farm that he learned many of the tunes that would comprise most of his latest record.

Who should win? I honestly can’t decide, but you can leave a comment if you want to vote.

Edit: I’ve added a poll on this topic to the right of the screen. Feel free to vote in that as well.