Archive for August, 2010

2010 Americana Music Awards Nominees: Duo/Group of the Year

Posted in Americana Music Awards 2010, Band of Heathens, Carolina Chocolate Drops, Dave Rawlings Machine, The Avett Brothers on August 30, 2010 by AmericanaPulse

It’s almost that time again. The annual Americana Music Honors & Awards are set to take place September 9th at the Ryman Auditorium in Nashville as part of the 2010 Americana Music Association Conference. As I do every year, I plan on spending the next couple of weeks reviewing the nominees for each award and attempting to handicap the competition.

We’ll start with the nominees for Duo/Group of the Year.

I was largely unfamiliar with the Avett Brothers when I saw them perform for the first time at the 2004 AMA Conference. I was completely entranced by their energetic spirit and punk/folk aesthetic. I became a fan on the spot. Since then, The Avetts have continued to tour relentlessly while seemingly picking up fans at every stop along the way.

In fact, for their latest album, 2009’s I and Love and You, The Avetts graduated from indie label Ramseur Records to record for major label Columbia under producer Rick Rubin. With the move, the band also expanded its sound to include piano and more lush arrangements. Being part of the Columbia stable also allowed them to take their music to a much larger audience. By gaining exposure for themselves… they have brought exposure to Americana music as a whole.
Avett Brothers: January Wedding (Buy Album)

Like The Avett Brothers, our second nominee also has roots in acoustic music. Unlike The Avetts, however, The Carolina Chocolate Drops seem much more content to stay closer to the traditional side of things. The Chocolate Drops pride themselves on keeping alive the traditions of the African American string bands that were prevalent in the 19th century, but are mostly extinct today. Their standard repertoire of instruments includes fiddle, banjo, jug, kazoo, and a wide variety of percussive elements.

Their calling card is the fact that they do traditional very, very well. Go to one of their shows and you’ll see what I mean. The trio look and sound the part of the true revivalist act complete with an energy and aura from another era. It’s odd then that the song from their 2010 album Genuine Negro Jig that has brought them the most attention/controversy is a cover of Blu Cantrell’s 2001 R&B anthem “Hit ‘Em Up Style.” For every request I received for the song at WDVX (and there were many), I would also get an angry email asking why the station was now starting to play hip-hop music.
Carolina Chocolate Drops: Hit ‘Em Up Style (Buy Album)

This year marks the second AMA nomination for Austin’s Band of Heathens. They were tabbed last year in the Best New Artist category that was ultimately won by Justin Townes Earle. This year, they’ve graduated to the Duo/Group category on the strength of their stellar sophomore effort One Foot in the Ether. You may remember it as my #2 album of 2009. It also hit number one on the Americana Airplay Chart… making them the first independent band to earn that distinction with each of their first two albums.

The Heathens strength is their songwriting. They boast three top flight Texas song scribes in Colin Brooks, Ed Jurdi, and Gordy Quist, and each share songwriting and vocal duties equally. Even though the three started out as solo artists who just happened to play the same songwriter’s showcase, they have forged themselves into a fine band that seems to have a solid future.
Band of Heathens: What’s This World (Buy Album)
Bonus: The band has new free download available on their website.

The final nominee is a familiar face, even if The Dave Rawlings Machine has only really existed for a year or so. Rawlings is the long-time side man and musical partner of Gillian Welch and is one of the most respected musicians in all of Americana music. He was always been happy to stand in the shadows in the past, but stepped into the limelight with the 2009 release A Friend of a Friend… the first album to bear his name.

Of course, Rawlings isn’t alone in the Machine. Some of his friends who came along for the ride include Welch, Benmont Tench, and several members of The Old Crow Medicine Show. It’s really more of a super-group than anything else. Despite the star power he surrounds himself with, it’s Rawlings that shines through. His vocals and virtuoso guitar playing are front and center throughout, and he reminds us of his songwriting chops on the covers-that-really-aren’t-covers “To Be Young (Is to Be Sad, Is to Be High)” and “I Hear Them All.” Both songs are Rawlings co-writes even though they originally appeared on albums by Ryan Adams and The Old Crow Medicine Show respectively. The album was good enough to almost make people forget that Gillian Welch hasn’t released an album of her own since 2003.
It also bears mentioning that The Dave Rawlings Machine headlined last year’s biggest Americana concert event… The Big Surprise Tour.
Dave Rawlings Machine: Sweet Tooth (Buy Album)
Four great acts… four worthy champions. The Avetts and the Chocolate Drops both helped expand the Americana fanbase, The Heathens did things no indie artist has ever done, and The Machine was… well… a well-oiled machine.
My Vote (If I Had One): Dave Rawlings Machine
My Prediction: Dave Rawlings Machine

Weekend YouTube: Wanda Jackson

Posted in Americana Music Awards 2010, Wanda Jackson on August 28, 2010 by AmericanaPulse

It’s almost time again for the Americana Music Honors & Awards show… the annual event that takes place each year at Nashville’s Ryman Auditorium to honor the very best in Americana music. This year’s show is September 9th, and as I’ve done in the past, I plan on using this space to preview and handicap the awards races to try to pick a winner.

Today’s Weekend YouTube (new name, same feature) will take a brief look at this year’s Lifetime Achievement Award for Performance winner, Wanda Jackson. Jackson was known as the Queen of Rockabilly in the 1950’s and 60’s and was one of the first female stars of rock and country music. She is a member of the Rock & Roll Hall of Fame and served as a tremendous influence on many of the female artists who followed her.

Jackson is now in her early 70’s, but continues to record and tour. It’s hard to stop the original “Hard Headed Woman.”

Here are a couple of classic performance clips from Wanda Jackson.

And a more recent performance to prove she’s still got it…

ReviewShine Wednesday/A Little Knox Music: Mic Harrison & The High Score

Posted in Knoxville Music, Mic Harrison on August 25, 2010 by AmericanaPulse

Every Wednesday, I feature a brief review of at least one album that has been submitted to me through the ReviewShine website. I have cleverly titled this recurring segment “ReviewShine Wednesday.”

I already had a copy of Mic Harrison and the High Score’s Great Commotion before it showed up in my ReviewShine inbox a couple of weeks ago. Mic is a local artist, and local albums seem to have a way of finding me. In the interest of trying to get things back to a normal schedule at the site, however, I thought it best to use this album as a return to my weekly ReviewShine feature.

Harrison is a bit of a local legend stemming from his days with Knoxville’s roots-rock heroes The V-Roys in the late 1990’s. Harrison co-fronted that band with this blog’s patron saint Scott Miller, and (like Miller) has carved out a nice solo career for himself in the decade since the V-Roys’ split. For his last few albums, Harrison has paired with another local band, The High Score, to flesh out his sound and provide the same kind of power he had behind him in the V-Roys.
Harrison’s latest collaboration with The High Score brings that power to the fore with the aptly titled Great Commotion, an album full of brash, roots rock anthems full of pop hooks that need to be played at a high volume. The band wrote and produced the record themselves and then had the whole thing mastered by studio veteran Eric “Roscoe” Ambel (Bottle Rockets, Chip Robinson, Kasey Anderson). I’m sharing a track called “Early Grove” which is actually one of the more subdued tunes on the album. It’s based around a simple acoustic groove, but has plenty of electric tension pushing through to the surface.
Mic Harrison & The High Score: Early Grove (Buy Album)

The Weepies: Wonderful Music for New Babies

Posted in The Weepies on August 9, 2010 by AmericanaPulse

Just checking in to let everyone know that things are going wonderfully with the new baby, but my free time has completely vanished for the current moment. My sabbatical from blogging may be a bit more prolonged than I had originally anticipated. I’d love to tell you about cool new releases from Samantha Crain, Paul Thorn, Luke Doucet, and a few other new releases that I’ve been enjoying lately. I’d love to, but I just haven’t been able to. Maybe soon…

I have, however, spent a lot of time listening to music with my daughter during feedings and other quiet times. Doing so has rekindled my love for the music of Steve Tannen and Deb Talon… otherwise known as The Weepies. Their wispy folk melodies and easy harmonies are the perfect cure for a fussy (my new favorite word) baby. I can’t wait to play her their new album when it drops at the end of the month.

Here are a few YouTube vids of The Weepies. First is one from the new album, followed by a couple of classics.